The Aftermath of Life and the Writer
I spent a good portion of last week writing in a hotel lobby in northern Minnesota. My family was upstairs asleep, quite accustomed to my compulsion to be up early and writing. We were there for my mother-in-law’s funeral. She passed away early last week and between all the planning and rushing about, there was little time to reflect. Now that I’m back home, back to our everyday life, I feel a heavy blanket of depression and am desperate to be alone. Exhaustion has flattened my senses, as has the constant requirement to be around people.
Writing saved my sanity marginally (as is always the case). I wrote her obituary and a eulogy, the few personal touches in a sea of motions and formalities surrounding a person’s death. I thought a lot about narrative and how, after a person dies, they simply become a collection of stories and pictures, all determined by who is doing the telling and the picking. At times I felt angry about misrepresentations – cloying sentimentality and overt religiosity, in which my mother-in-law had little interest when she was alive. Every time I felt a prickle of anger, I had to remind myself that the rituals were for the living, not the dead.
I just finished reading an essay by Rebecca Solnit titled “Twenty Million Missing Storytellers”, where she writes about voting and how the people who vote define the narrative for our country. Those who are routinely discouraged through voter suppression tactics or whose votes are rendered pointless through guerrilla gerrymandering do not get to shape the narrative. And then I think about Sinclair Broadcasting which now requires its local stations to release propaganda as part of their local news reporting. They are shaping the narrative.
The narrative is power. It drives people’s recollections and opinions and decisions. It writes history and bends the people’s will. I came back to my everyday life unable to get back to writing projects, feeling the listlessness and temporary powerlessness brought on by loss. It’s more extreme and immediate than the occasional malaise that has hit me over the last few years, but the question is the same. Why does anything I write matter?
The answer is also the same. We must tell our stories or they will be told for us, whether it be after we pass or used to shaped the political world in which we live. We must tell our stories or they will be stolen from us, revised, and rewritten. We must tell our stories or we will be indoctrinated by someone else’s teachings, our memories overwritten by someone else’s telling.
There is also the personal reason. My life is made more tolerable when I write. My senses are easily overwhelmed by emotion and chaos. I numb myself, shield myself in a dull shroud. But writing frees me, allows me to cry in private, to express intense emotion, to re-order the chaos. It allows me to tell my story in my own time, manner, and place of choosing.
So it matters.
At the moment, writing elicits long sighs and some tears, but it is by feeling my grief in words and finding comfort in silence that I will find my way back. I have more stories to tell. In the mean time, I will read yours.