I started this post series “Fearless Friday” several months ago as a way of sharing other bloggers’ and writers’ work, as I felt the need to be more generous with this space. I’d had the good fortune of a good-sized readership and wanted to spread the wealth. It landed with a thud in terms of contribution and required a great deal of work to put together. However, I can be a stubborn cuss and I think anything worth doing is not only worth doing well, but worth doing long term and with patience. So I start afresh…
It seems fitting to talk about beginnings. We often sabotage ourselves by measuring the present moment through the lens of the past or expectations of the future. Unwritten novels, blank canvases, and tunes only heard in one’s head – this is the outcome of not starting where you are and an inability to shut out the noise of a society that only recognizes endeavors in statistical outcomes. I’ve been thinking a lot more about beginnings and middles – which is essentially process, because that is where any creative person spends most of their time. It is that magical, invisible time when it’s just you and what you’re doing in the moment.
Welcome to Fearless Friday.
Fea
rless Fridays are about lives lived in spite of our fears, living a life that is about curiosity, compassion, and courage. If you just got published, something wonderful happened to you, you witnessed an act of kindness or bravery, or you have someone in your life who amazes you, drop your story into my contact page or email it to TheGreenStudy (at) comcast (dot) net and I’ll run it on a Fearless Friday. If you’re a blogger, it’s an opportunity to advertise your blog, but this is open to anyone who would like to share. These will be 100-300 word stories, subject to editing for clarity and space.
Debut Novels
Over the last few years, my reading has taken on a particular intention – to teach myself how to be a better writer. At first, I delved into the “classics”, never wandering too far afield for fear that my literary education would have gaps. I’m over that. After Joyce and Faulkner and Hemingway, I’m so over that. While my reading has always been eclectic and organic (one book referencing another and another until I’m reading about hissing cockroaches in Madagascar), it is now done with notebook and pen in hand. No matter what I’m reading, I learn something new about writing.
Last week, I finished reading Clifford Garstang’s The Shaman of Turtle Valley, a debut novel that explores cultural and family conflicts (and similarities) when a soldier brings his Korean wife home to Appalachia. What I enjoyed, and learned from most, was the author’s use of first person POV from each of the main character’s perspectives. This can sometimes go awry in a novel, but Mr. Garstang did a good job of writing characters with distinct voices.
This is the second debut novel I’ve read over the last few months, the first being The Fourteenth of September by Rita Dragonette. Both Garstang’s and Dragonette’s novels are by older authors with unique backgrounds – a fact that speaks to me for obvious reasons. The stories they wrote were engaging and kept me reading faster and faster in my anxiety to find out what happens.
Full disclosure: I was sent these books to read by publicists at JKS Communications who represented and were recommended by one of my favorite bloggers, Donna Cameron, with her book, A Year of Living Kindly. Also full disclosure – I’m a very critical reader and a working writer, so I do not write book reviews as a matter of practice. That people still send me books after I tell them this, just delights the hell out of me. I get to read books and talk about them and don’t feel compelled to pander. Yay me.
As a writer, debut novels are also wonderful learning tools. Most people don’t write a seamless novel out of the gate – it’s the nature of writing experience. The architecture of a debut novel tends to be more obvious than in a second or third novel. As a writer, I can nod my head knowingly when I see what the author was trying to do. I can see the inner workings of structure, the strengths and weaknesses, and discover solutions to problems in my own work.
Before the Debut Novel: Shitty First Drafts
First novels also make me think about courage and perseverance. The end piece of a creative work – the marketing and publicity, is the smallest sliver of the whole process. A novel that has been fomenting for decades, worked at for years, edited for months, is the crux of the writer’s life. That’s where the time is spent and the only way to spend that much time and love is to be invested in the process, not the outcome.
The surest route to halting all creative thought is to think about results – the one piece in the process over which a creator has very little control. When my head is full of those thoughts, it seems like a lot is riding on the opening sentence – a sentence that will now not be written because there’s too much pressure. I shut down. The birthplace of a writer’s block.
While I hope someday to have my own debut novel, I will forever reference Anne Lamott’s assertion in Bird by Bird that “Almost all good writing begins with terrible first efforts.” I am learning to love my terrible first efforts – being in that space where I just sound stupid, like I’m writing a fifth grade essay about the Tower of London (it was dreadful and accompanied by even worse drawings). The willingness to be awful, in addition to reading with intent, has changed my writing for the better.
If you’re a creator, what thoughts stop you from beginning?
How do you counter that?
Any favorite debut novels?
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