Book Fever and Other Autumn Ruminations

If I saw the Hoarders tv show and one of their clients had nothing but books, I’d think: What’s wrong with that? Like the trundling out of sweaters and warmer socks, autumn sets my brain on fire with the compulsion to accrue books. My husband and daughter just roll their eyes at me and make jokes about my inability to leave the library or bookstores without a stack of acquisitions. I am happily surrounded by books and read incessantly. This is my childhood dream come true.

Unintentionally, I had prepared for a huge book bender. I updated my reading glasses, whittled down my schedule, and started to acquire books at an alarming rate. I’m looking forward to a winter of Oscar Wilde, Toni Morrison, Kurt Vonnegut, Helen Oyeyemi, James Baldwin, Louise Erdrich, Jonathan Lethem, Joyce Carol Oates, and any other writer who trips my fancy.

31522415The warmup to heavier tomes has been a lot of pithy reading. I read Austin Kleon’s trio of books (Steal Like an Artist, Show Your Work, Keep Going), Mason Currey’s Daily Rituals, and story story collections. Lesley Nneka Arimah’s short story collection What It Means When a Man Falls from the Sky was full of thoughtful, if not disturbing, storytelling.

Blood CreekI also read another book sent to me by JKS Communications, Blood Creek by Kimberly Collins, an ambitious novel that wasn’t quite my taste, but will resonate with the historical romance crowd – those who like their vixens fiery and their men stoic and often criminal. It reminded me of the books I used to sneak out of my mother’s collection when I was 13 – like Rosemary Roger’s Sweet Savage Love, where the main character is selfish, but too waif-like with a cavernous decolletage to not get her own way, at the expense of everyone around her.

Writing is ramping up as well. I just finished the online Masterclass with Joyce Carol Oates. While her story “Where Are You Going, Where Have You Been” is one of the creepiest stories I’ve ever read, her prolific career is an inspiration and her low-key but dedicated approach to writing resonates with me. 2019 has been a year of nearly constant rejection, from publications and even a mentor program. One would think I’d want to call it a day. But Ms. Oates has some wise words for rejection which I’ll paraphrase here: it’s likely a blessing when one’s work is rejected. It’s not your best work and you don’t want it out there. It forces you back to revisions again and again and again, until what you have left really is good.

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So I soldier on. And at the mention of soldiers, I just want to leave this public service note: Flag-worshipping does not make you a hero or a saint. As a vet who served for a wide variety of reasons, including an adolescent sense of loyalty to my country, I’m finding that performative patriotism in this country has gone off the rails – in the old sense, like nutter-level.

canstockphoto6552217I was on a treadmill at the Y the other day. In front of me, an older man was wearing a t-shirt with an American flag that said If this flag offends you, I’ll help you pack. I know it’s not good to wish heart attacks on people peddling on stationary bikes, but it briefly crossed my mind. If you’re a flag worshipper, you can’t have it both ways. You can’t flail about screaming that everyone else is being disrespectful to the flag and then wear it as a crackled, worn decal on your sweaty carcass. I mean you can, but the paramedics are going to have to cut it away to attach the defibrillator pads. I’m sure they’ll be respectful, though.

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37941609Fall is often a season that brings about feelings of bittersweet melancholy, much like being in your fifties and still trying to get published. It is a season, though, that begs for poetry. I consider myself a blogger, novelist, and short story writer, but on occasion I hail back to my adolescence and write a poem. Now they are less about being ignored by the boy I liked or morbid poems about dying and more about just fading away. I’m reading Adam Zagajewski’s collection of poems, Asymmetry and they are the kind of poems that make you ache just a little.

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It’s been such a tough year, for me, for we humans out in the world. Some of us manage to remain unscathed. We keep our eyes forward, don’t get distracted, know what we’re about on the planet. Some of us have been buffeted by the winds of chance – medical emergencies, financial crises, devastating diagnoses of our health, our portfolios, our relationships. Some of us have internalized the existential dread of what the future holds – dictators, natural disasters, scarcity, randomized violence. We’re taking the news intravenously and it eats away at our sense of wellbeing.

I need hope and so do some of you. Where do we find it? Where is the solace, the palliative, the hospice for the walking wounded? I find it written by authors who apply poultices through words, in the faces of people who love me, in telling stories, in walking with the crunch of leaves beneath my feet. We fashion our own life preservers and hope that it’s enough.

Fearless Friday: Beginnings

I started this post series “Fearless Friday” several months ago as a way of sharing other bloggers’ and writers’ work, as I felt the need to be more generous with this space. I’d had the good fortune of a good-sized readership and wanted to spread the wealth. It landed with a thud in terms of contribution and required a great deal of work to put together. However, I can be a stubborn cuss and I think anything worth doing is not only worth doing well, but worth doing long term and with patience. So I start afresh…

It seems fitting to talk about beginnings. We often sabotage ourselves by measuring the present moment through the lens of the past or expectations of the future. Unwritten novels, blank canvases, and tunes only heard in one’s head – this is the outcome of not starting where you are and an inability to shut out the noise of a society that only recognizes endeavors in statistical outcomes. I’ve been thinking a lot more about beginnings and middles – which is essentially process, because that is where any creative person spends most of their time. It is that magical, invisible time when it’s just you and what you’re doing in the moment.

Welcome to Fearless Friday.

Feacanstockphoto13410470rless Fridays are about lives lived in spite of our fears, living a life that is about curiosity, compassion, and courage. If you just got published, something wonderful happened to you, you witnessed an act of kindness or bravery, or you have someone in your life who amazes you, drop your story into my contact page or email it to TheGreenStudy (at) comcast (dot) net and I’ll run it on a Fearless Friday. If you’re a blogger, it’s an opportunity to advertise your blog, but this is open to anyone who would like to share.  These will be 100-300 word stories, subject to editing for clarity and space.

Debut Novels

Over the last few years, my reading has taken on a particular intention – to teach myself how to be a better writer. At first, I delved into the “classics”, never wandering too far afield for fear that my literary education would have gaps. I’m over that. After Joyce and Faulkner and Hemingway, I’m so over that. While my reading has always been eclectic and organic (one book referencing another and another until I’m reading about hissing cockroaches in Madagascar), it is now done with notebook and pen in hand. No matter what I’m reading, I learn something new about writing.

44011737Last week, I finished reading Clifford Garstang’s The Shaman of Turtle Valley, a debut novel that explores cultural and family conflicts (and similarities) when a soldier brings his Korean wife home to Appalachia. What I enjoyed, and learned from most, was the author’s use of first person POV from each of the main character’s perspectives. This can sometimes go awry in a novel, but Mr. Garstang did a good job of writing characters with distinct voices.

This is the second debut novel I’ve read over the last few months, the first being The Fourteenth of September by Rita Dragonette. Both Garstang’s and Dragonette’s novels are by older authors with unique backgrounds – a fact that speaks to me for obvious reasons. The stories they wrote were engaging and kept me reading faster and faster in my anxiety to find out what happens.

Full disclosure: I was sent these books to read by publicists at JKS Communications who represented and were recommended by one of my favorite bloggers, Donna Cameron, with her book, A Year of Living Kindly. Also full disclosure – I’m a very critical reader and a working writer, so I do not write book reviews as a matter of practice. That people still send me books after I tell them this, just delights the hell out of me. I get to read books and talk about them and don’t feel compelled to pander. Yay me.

As a writer, debut novels are also wonderful learning tools. Most people don’t write a seamless novel out of the gate – it’s the nature of writing experience. The architecture of a debut novel tends to be more obvious than in a second or third novel. As a writer, I can nod my head knowingly when I see what the author was trying to do. I can see the inner workings of structure, the strengths and weaknesses, and discover solutions to problems in my own work.

Before the Debut Novel: Shitty First Drafts

First novels also make me think about courage and perseverance. The end piece of a creative work – the marketing and publicity, is the smallest sliver of the whole process. A novel that has been fomenting for decades, worked at for years, edited for months, is the crux of the writer’s life. That’s where the time is spent and the only way to spend that much time and love is to be invested in the process, not the outcome.

The surest route to halting all creative thought is to think about results – the one piece in the process over which a creator has very little control. When my head is full of those thoughts, it seems like a lot is riding on the opening sentence – a sentence that will now not be written because there’s too much pressure. I shut down. The birthplace of a writer’s block.

12543While I hope someday to have my own debut novel, I will forever reference Anne Lamott’s assertion in Bird by Bird that “Almost all good writing begins with terrible first efforts.” I am learning to love my terrible first efforts – being in that space where I just sound stupid, like I’m writing a fifth grade essay about the Tower of London (it was dreadful and accompanied by even worse drawings). The willingness to be awful, in addition to reading with intent, has changed my writing for the better.

If you’re a creator, what thoughts stop you from beginning?

How do you counter that?

Any favorite debut novels?

Acts of Reader Gratitude

Gratitude is one of those words that has become tainted and overused over the last few years. Gratitude journals ballooned into full-blown humble-bragging on social media, ad nauseum recitations of beautiful children or perfect autumn days or that special cup of coffee. I feel immense gratitude for the things and circumstances and people in my life, but also feel grateful that I can, for the most part, keep it to myself. The joy for me is not in the telling, rather in the being. But there is one form of gratitude that I prefer to share over all others. Saying thank you to others.

This week, I burrowed into my reading chair under a couple of blankets with the Virginia Quarterly Review. I read “Stepping Up” by Sylvia A. Harvey, who wrote about the children of imprisoned mothers and the grandmothers who raise their grandchildren. It was enlightening and painful and I sat for awhile after, my eyes welled up with tears. It made me think about the all the different perspectives – the children aching for mothers, the grandmothers struggling to do the right thing, the mothers, living claustrophobic lives of regret.

Empathy. I cannot emphasize enough how grateful I am to writers who tell the difficult stories and help us see the world. Those who sit with strangers and coax the words out of them and arrange them in such a way as to touch me, hundreds of miles away in my cozy suburban life. To move me to tears, to want to do something, anything to right the ship of social and criminal justice. A single story as a way in to thinking about criminal and social justice reform. I have come into the practice of turning impotent frustration into action. One of my favorite organizations is The Women’s Prison Book Project, so I’m getting ready to send more books, but there is much more to be done.

canstockphoto1787242Criminal justice and social reform has been the fight of many social activists over the years. It’s true that so many things require our attention, our anger, our involvement. It can be overwhelming. But I’ve found that if I shut out the “shoulds” and focus on learning about one issue at a time, and pair action with that knowledge, I can be more useful as a citizen. Over the last couple of years, I’ve learned more than I ever wanted to know about voting rights and campaign finance reform. While I continue to work on those issues, I’ve found my attention captured by the prison system and incarceration rate in this country. Time to learn more.

This is the ultimate power of storytelling, fiction or nonfiction. It gives the reader a window into the lives of others. It gives us the opportunity to be better people. I remember many years ago that someone referred to the writer Anna Quindlen as a “monster of empathy”. It was meant to be an insult for the circumspect way she addressed social issues in her column for the New York Times. I think it’s okay to be a monster of empathy, as long as empathy is followed by an action, no matter how small.

canstockphoto6979194My other slight action was to tell the writer of that article, Sylvia Harvey, Thank you. One of the rare delights of Twitter is being able to contact writers and artists and musicians just to express gratitude. The unknowns, the knowns, it doesn’t matter. Saying thank you to people who touch you in some way, just to let them know that their work is appreciated. We’re so quick to critique and criticize, thinking everything we read and see needs our judgmental pronouncements. What about the work that takes us out of ourselves, teaches us empathy, gives us a new perspective, stops us, for just a moment, from being the self-centered, complacent creatures that we can be?

This is a practice I’ve decided to engage in as a regular thing. I’ve written notes, emails, and now Tweets to writers who have made my world a better place through their work. It’s not idol worship or fandom, it’s simple gratitude. This thing they did brought something to my life. Sometimes they write back and I squeal just a bit, so unaccustomed to all these direct methods of communication. Still, the simple act of saying thank you has added to my reading and writing experience – an act of solidarity with those who seek to translate the world into words.

What Writer or Artist are You Grateful for Today?