Book Fever and Other Autumn Ruminations

If I saw the Hoarders tv show and one of their clients had nothing but books, I’d think: What’s wrong with that? Like the trundling out of sweaters and warmer socks, autumn sets my brain on fire with the compulsion to accrue books. My husband and daughter just roll their eyes at me and make jokes about my inability to leave the library or bookstores without a stack of acquisitions. I am happily surrounded by books and read incessantly. This is my childhood dream come true.

Unintentionally, I had prepared for a huge book bender. I updated my reading glasses, whittled down my schedule, and started to acquire books at an alarming rate. I’m looking forward to a winter of Oscar Wilde, Toni Morrison, Kurt Vonnegut, Helen Oyeyemi, James Baldwin, Louise Erdrich, Jonathan Lethem, Joyce Carol Oates, and any other writer who trips my fancy.

31522415The warmup to heavier tomes has been a lot of pithy reading. I read Austin Kleon’s trio of books (Steal Like an Artist, Show Your Work, Keep Going), Mason Currey’s Daily Rituals, and story story collections. Lesley Nneka Arimah’s short story collection What It Means When a Man Falls from the Sky was full of thoughtful, if not disturbing, storytelling.

Blood CreekI also read another book sent to me by JKS Communications, Blood Creek by Kimberly Collins, an ambitious novel that wasn’t quite my taste, but will resonate with the historical romance crowd – those who like their vixens fiery and their men stoic and often criminal. It reminded me of the books I used to sneak out of my mother’s collection when I was 13 – like Rosemary Roger’s Sweet Savage Love, where the main character is selfish, but too waif-like with a cavernous decolletage to not get her own way, at the expense of everyone around her.

Writing is ramping up as well. I just finished the online Masterclass with Joyce Carol Oates. While her story “Where Are You Going, Where Have You Been” is one of the creepiest stories I’ve ever read, her prolific career is an inspiration and her low-key but dedicated approach to writing resonates with me. 2019 has been a year of nearly constant rejection, from publications and even a mentor program. One would think I’d want to call it a day. But Ms. Oates has some wise words for rejection which I’ll paraphrase here: it’s likely a blessing when one’s work is rejected. It’s not your best work and you don’t want it out there. It forces you back to revisions again and again and again, until what you have left really is good.

*****

So I soldier on. And at the mention of soldiers, I just want to leave this public service note: Flag-worshipping does not make you a hero or a saint. As a vet who served for a wide variety of reasons, including an adolescent sense of loyalty to my country, I’m finding that performative patriotism in this country has gone off the rails – in the old sense, like nutter-level.

canstockphoto6552217I was on a treadmill at the Y the other day. In front of me, an older man was wearing a t-shirt with an American flag that said If this flag offends you, I’ll help you pack. I know it’s not good to wish heart attacks on people peddling on stationary bikes, but it briefly crossed my mind. If you’re a flag worshipper, you can’t have it both ways. You can’t flail about screaming that everyone else is being disrespectful to the flag and then wear it as a crackled, worn decal on your sweaty carcass. I mean you can, but the paramedics are going to have to cut it away to attach the defibrillator pads. I’m sure they’ll be respectful, though.

*****

37941609Fall is often a season that brings about feelings of bittersweet melancholy, much like being in your fifties and still trying to get published. It is a season, though, that begs for poetry. I consider myself a blogger, novelist, and short story writer, but on occasion I hail back to my adolescence and write a poem. Now they are less about being ignored by the boy I liked or morbid poems about dying and more about just fading away. I’m reading Adam Zagajewski’s collection of poems, Asymmetry and they are the kind of poems that make you ache just a little.

*****

It’s been such a tough year, for me, for we humans out in the world. Some of us manage to remain unscathed. We keep our eyes forward, don’t get distracted, know what we’re about on the planet. Some of us have been buffeted by the winds of chance – medical emergencies, financial crises, devastating diagnoses of our health, our portfolios, our relationships. Some of us have internalized the existential dread of what the future holds – dictators, natural disasters, scarcity, randomized violence. We’re taking the news intravenously and it eats away at our sense of wellbeing.

I need hope and so do some of you. Where do we find it? Where is the solace, the palliative, the hospice for the walking wounded? I find it written by authors who apply poultices through words, in the faces of people who love me, in telling stories, in walking with the crunch of leaves beneath my feet. We fashion our own life preservers and hope that it’s enough.

Reading Up, But Writing From Where You Are

I often read material that makes me question my own intelligence. Sometimes it is deliberate and I hunker down with a notebook and work my way through a book or article and hope that I come out the other side with something that will add to my own writing abilities – a new practice, some new vocabulary, a stronger sense of the story that I want to tell. Occasionally, I find myself imitating a voice and I have to write it out of my system until my own voice re-emerges.

canstockphoto8858462Reading has always been the gateway to writing for me, as it is for most writers. It is both solace and teaching tool, the prickly critic’s voice and the admirable storyteller. These days, I’m more deliberate in my choices and I often force march myself through work that is, well…work.

For readers who read for the sheer pleasure of it, force marching oneself through a book sounds painful and unnecessary. For writers, it’s one of the routes to expanding one’s repertoire, vocabulary, style, and rhythm. Some writers read and write exactly what they like. They seem the happiest with their work – the process holds value and pleasure for them. I am the insecure, constantly striving type who spends more time thinking about what kind of writer I should be, instead of working with what’s in front of me. It’s a flaw, but not a fatal one.

75786The forced march through literary canon has inevitably led me to what I think of as dudebro writing. There are several things that characterize dudebro writing in my mind: leaving no amount of minutiae unexplored in the narrative, Gordian knots of literary devices, a rabid fanbase which gives the work a bad name, cardboard female characters, vocabulary that puts things just out of reach of the casual reader, and an unending fascination with all matter of human effluvia. Oh, so you’ve read Infinite Jest too?

I’m sure I’m being reductive. I don’t eschew this sort of writing. There is always something to learn, but it often comes at a price – usually at the cost of the reader’s ego and sometimes at the cost of the story. As a rule, I avoid writing book reviews because I don’t want to see everything through the lens of criticism, nor do I want to diminish someone else’s creative enterprise. It’s hard to write, in a neutral manner, about a book one loathes and admires simultaneously. Recently I finished Brian Birnbaum’s Emerald City, which was sent to me by JKS Communications. I’ve read several debut novels sent from them over the last year or so and it has been a great learning experience.

52756048. sx318 sy475 Mr. Birnbaum’s novel carries the definite echoes of David Foster Wallace in the sheer denseness of detail. Usually I take notes while reading and this book made me fill up pages – mostly of vocabulary and terms I hadn’t heard before. If you have one iota of insecurity about your level of intelligence or lean a bit puritanical when it comes to drugs, sex, and bodily fluids, this might be something you pass on. If you like wordplay and densely-packed sentences, are jonesing for DFW prose, and bend a bit toward the salacious, this might be for you.

That sounded like a bit of a review, didn’t it? There’s no accounting for our reading tastes. What appeals to and invigorates one reader, might put another in a coma-like nap. Fortunately, the democratization of publishing leaves room for all manner of writers and readers to find each other (Emerald City comes from the publisher Animal Riot Press, of which the author is a co-founder).

canstockphoto17375275One of the things I’m coming to terms with as a writer, is that I’ve spent far too much time aspiring and not enough time being. Reading tougher work has improved me as a writer, but it has also made me more paranoid about being older, not having an MFA, and not being smart enough to pull off a good bit of literature. My imposter syndrome has gotten more agile and wily. Now, any knowledge I gain from challenging reading serves more as a reminder of how obviously incapable I am of producing good work myself. You’re rockin’ it, imposter syndrome. Bring on the procrastination. We’ll make it a party.

Fall and the start of school is like a second start to the year – a time for clearing out, cleaning up, and getting on with things. Last year, I joined a writing group. This year, I’m doing a little less group and more focused writing, with less judgment and more curiosity. Seeing what is in my writing, not what I think should be. Maybe that will be enough.

If you’re in the mood to read harder, check out Book Riot’s Read Harder Challenge. 2019 is just about up, but keep an eye out in December for the 2020 challenge.

Literary journals have become my not-so-secret pleasure for reading “up”. It’s a lot of bang for the buck – covering a multitude of genres from journalism to poetry. My favorites are the Paris Review, the Virginia Quarterly Review, the Missouri Review, A Public Space, and the Kenyon Review.

Where the Ego Fears to Tread

I just finished reading an essay on Medium by Meghan Daum, “My Life at 47 is Back to What It was Like at 27“. I’ve been thinking a lot about change and the idea that who we were is always going to be who we are. For someone like me, who is always striving to be better – a better parent, a better writer, a better human, the idea that our essence will remain essentially unchanged throughout our lives bothers me. Perhaps I’ve begun to see the threads of my life that lead from the wood library floors where, at age 9, I’d sit with a pile of books, to the worn, overstuffed reading chair in my study next to a table fairly groaning with to-be-reads at age 51.

Yesterday, I stopped in the drugstore and for the first time in two decades, looked behind the counter to see how much cigarettes cost. It’s a new habit I’ve been practicing – trying to notice things that I don’t normally look at in my daily routine. There was a time when I knew exactly how much cigarettes cost. I smoked until I was 30. Even when I was broke in grad school, I’d scrape together the money (sometimes all in coin) to buy a generic pack of menthols.

canstockphoto13455198.jpgWhat I lost in lung cancer potential, I gained in weight. But in the intervening years since my last smoke, how much has really changed? Is it just the external trappings – from an apartment to a house in the burbs, from the worst girlfriend ever to a less-than-awful wife? From a dog caregiver to a cat caregiver? From someone allergic to children to someone who feels the awful, wonderful deep love for a child. From someone who bounced to whatever job paid more to someone who will be lucky to ever be paid again.

Sometimes it scares the hell out of me – what if this is it? And that question may be the thing that has definitely never changed. It’s the same startling thought I had when I was 18, 28, 38, 48…what if this is all I am? What if I never become a published writer? What if I continue to live an obscure little life? What if the potential I believed I had was all a myth? What if this is all there is?

It’s no coincidence that the heavies are catching me this week. I finally got the last layer of hair color sheared off. I’ve got a Dame Judi Dench thing happening on my head. And I can’t pass a mirror without being a little startled. All the color is gone, replaced by a silvery white. I rarely wear makeup and suddenly I have a better understanding of my grandmother’s blue eye shadow and intensely red lipstick. I am a faded photo of myself. I thought, well, this is me until I’m dead, just picking up more wrinkles and arthritis along the way. Get used to it. 

canstockphoto39088457.jpgAnd then I laughed. There are some things that haven’t changed – my smirking, dark sense of humor. My ability to have the worst thoughts and then let them go. The likelihood that I will be trying to self-improve right up to the moment of death. Oh look, her last Google search was “How to be more productive in hospice”. That in my deepest, darkest moment of despair, I have an inkling that I’ll have a new plan tomorrow.

I’m not the most mentally healthy person. I compulsively overdo everything – food, shopping, TV binging, saying “yes” – less and less as I age, but I can still put away half the kitchen on a bad day. I run a continuous cycle of depressed-okay-depressed-okay- mostly okay. I’m not particularly accomplished at anything, but I know a little about a lot of things and I spend a lot more time doing what makes me content than I did before. My special skills involve list-making, the ability to do heavy physical labor, swearing in several languages, rationalization of just about anything, and my inclination to occasionally bake good homemade bread.

As for the writing, well, there’s a lot of good writers out there and so much of what gets published is the result of hard work, opportunity, and luck  – a secret combo that no one ever really gets sorted. I’m still stuck in the hard work phase, or I should say the pre-hard work phase, because the hardest work is getting myself to do it. Once I’m there, everything is good. Getting there is worse than getting myself to the gym. In fact, I will sometimes work out to avoid writing. That’s wrong on so many levels.

It’s when the jokes get real that throw me off. Less haha-ing and more: oh, shit. Yes, this may be all that there is. Is it bad? Unendurable? Untenable? Not at all. I just feel a bit like a pissed off school teacher sometimes – she had so much potential. I suppose that most humans are guilty of not living up to their potential. I’ve been reading The Art of the Short Story by Dana Gioia and R.S. Gwynn, a very nice collection of short stories, that include not only the story, but a biographical summary of the author. I immediately notice when they’ve died. Atwood is still alive, Borges and Cather had long lives, but Camus at 47, Carver at 50, Chekhov at 44 (apparently I’ve only gotten through the Cs).

Panic mode. Oh my god, if I were them, I’d be dead. I’d have no stories to tell. I haven’t been writing my whole life. No one might ever now that I ever wrote anything besides this blog. Everyone has a blog. Who cares about that? Breathe. There’s nothing to be done now, except to keep moving along like you have the time. No amount of panic will make you write better. Now get back to that short story you’ve been putzing around with for a week.

As my teenage daughter puts it, why would it matter? You’d be dead. Yes, that little cynical apple didn’t fall far from the tree. Still, it matters to me now and regardless of the quasi-solipsistic existentialism that governs much of my personal outlook, part of me knows the power of words. What if my words are what someone needs to hear, to get them by a bad moment, to lift their spirits? It isn’t ego as much as it is paying things forward.

canstockphoto34158490.jpgSometimes I feel like my life was saved by books, that the right words at a particular time in my life, lifted me, gave me heart, taught me empathy, kept me from spiraling downward. Perhaps our essence never changes, but we complete the circle. The words that saved me rooted themselves, became part of me and grew. And now they grow beyond me. Not a bad way to head into the last inning – saying thank you, using my words.

 

Some Words I read This Week that I Enjoyed:

Raymond Carver’s short story,  “A Small, Good Thing

Made me blubber – not always the best selling point, but if you’re in need of a good cry, it’s a good shove in that direction.

Benjamin Dreyer’s Dreyer’s English: An Utterly Correct Guide to Clarity and Style

I’m not particularly interested in style guides – I use them as reference books for specific questions. However, I’ve just started reading this one and will likely read it cover-to-cover, because of the writer’s sense of humor.