The Marrow of Vulnerability

Summer tends to be my season of discontent. More so this year than ever before. The curated insouciance of sun, sand, and vacation photos mean nothing to me. We wait as a relative passes from known to unknowable in the haze of Alzheimer’s, punctuated by endless rounds of teenage school clothes shopping. Insouciance in its current form means a “casual lack of concern”, a version of being “cool”. But I play etymology operator, passing through French and Latin origins, landing on an uneasiness of mind. This seems more apt.

canstockphoto1290841My last post left on a dark note and I could not make myself come back from that. Exhortations of it’s not that bad or it could be worse (a very Minnesotan way of saying turn that frown upside down) served to irritate and isolate me. I knew I was in a rut, growing ever deeper the more I tried to pull myself out of it. Solitude is curative but nearly unattainable during the summer. The garden provided little solace as the late summer heat and bugs make every moment uncomfortable.

I could not complain. Every whinge would be met with “first world problems”, a phrase that has the desired effect of shutting someone down. I curled inward with books. I started with Brené Brown’s Braving the Wilderness. I moved onto another of her books Rising Strong. And then I read The Art of Possibility by Rosamund Stone Zander and Benjamin Zander. I was slowly reading myself out of the rut. A suggestion by a blogger friend, Donna at A Year of Living Kindly, led me to Wayne Muller’s How, Then, Shall We Live?

canstockphoto6270889These are gentle books, language unmarred by politically expedient shortcuts to label, categorize, and dismiss a person out of hand. They spoke the language of vulnerability. I have come to a point in my life where the defenses and protection I worked so assiduously to develop, are no longer working. It’s the outcome of shuffling across the middle age line, when thoughtfulness and evaluation about the years ahead are needed. It’s a magical time, when you realize that you must make conscientious decisions with the knowledge you’ve attained – that it’s time to put away the primer, training wheels, and excuses.

I used to think I had the vulnerability thing down. I’ve certainly written enough about my personal history and flaws on this blog. I got comfortable with the feedback that I’m authentic and honest. The funny thing about telling stories is that it is one step removed from owning the stories. I could write about my father’s suicide or the domestic violence I grew up with, no problem. I could write about bad boyfriends and awful jobs. I could talk about mental health issues and depression. I could joke about being a writer who procrastinates and struggles.

canstockphoto59545124.jpgBut I couldn’t write about the ache I felt when my daughter, in her toddler years, would ride on her father’s shoulders. The times I’d brush away tears and get on with things. I couldn’t write that growing up, never knowing from minute-to-minute how the adults around me would react, made me pathologically empathetic, to the point where I’d recognize how others felt before acknowledging my own feelings. I couldn’t write about the shame I sometimes feel that I am the way I am – that every subject becomes a think piece. These things get put aside, so I can tell a story with a beginning, middle, and end.

The thing I’ve learned from my reading these last few weeks, is that because I have refused to integrate my stories into who I am, they own me. When you are owned by your stories, it’s hard to see the possibilities. You live your life defined by the limitations of those stories and not in the realm of choice and opportunity. As a response to my lived experiences, I built armor and exploited my stories as narrative, never allowing myself to feel them and grow beyond them.

canstockphoto21174About the time I began unraveling, a couple of months ago, I stopped working out. I got soft and pudgy. I’d always been determined to be strong. After I left the Army, I spent years afterward running, weight training, doing workout videos, training in the martial arts, going to the Y. There was an urgency to stay physically stronger, as if to protect the tender insides with bands of muscle. It was protection against anyone having power over me, against ever letting anyone hurt me.

I thought about how hard I would push myself, of all the injuries I’d gotten over the years, and how the outcome was the same as if I’d done nothing. I was still a pudgy, middle-aged woman with knees that hurt on rainy days. That I was motivated by what might happen if I didn’t exercise is ass backwards. I had taken something that could be joyful and enjoyable and made it mandatory or else.

This serves as an apt metaphor for the mental protection I’ve learned. I’ve learned to be canstockphoto23183995suspicious of joy, because something bad will happen in the next minute. I’ve learned to never let myself be too happy for too long, because then I won’t be steeled against the next moment when hell rains down. When opportunity comes along, opportunity that can open doors for me, I tamp down my enthusiasm, in case it all goes wrong. In all cases, the outcome is the same. I kill the follow through and I don’t enjoy the process.

I’ve railed against my own defenses. Just be happy, dammit. Can’t you enjoy something for five seconds, before you think of all the downsides? But this approach has proven fruitless.

There’s only one thing left to do. Because if I’m going to feel shame, fear, anxiety, and hyper self-criticism, I’d at least like it to be because I’m playing offense – because I’m making amazing attempts to do things I’d never imagined I could do. Because I’m laying it on the line, writing books that don’t sell well or running for public office and losing or reaching out and connecting with another human. If I’m going to feel shitty feelings, I’d rather it not be because I’m hunkered down and safe.

canstockphoto25034608I started working out again, but less from fear and more for self-care – the world did not come crashing down, all pudginess aside. I’ve said yes to some new opportunities, collaborating on a writing project, mentoring, getting politically engaged with other humans. I feel like a walking bruise, literally and metaphorically. But to be vulnerable is not just opening yourself up to pain and failure – it’s allowing all those other, unfamiliar beasts in – joy, happiness, enthusiasm. It’s going to be a weird, awkward ride.

The Things We Carry (and Must Learn to Leave Behind)

canstockphoto20086498In 1993, I dropped out of grad school after one miserable year. I was a failure, barely surviving academically, juggling three jobs, in over my head in so many ways. I make jokes about it, but when I pitched a nonfiction proposal to an agent last week, she asked about my education. I was truthful and while she was interested in my proposal, I could tell that I did not have a good “platform”.

For nonfiction proposals, agents and publishers want someone with a platform. A platform is the writer’s expertise, background, and being a known entity and expert in their field. I was a little proud that I could pitch an idea on the fly, except that it really wasn’t that spontaneous. And it was never my first intention.

While in grad school, I came across the published journal of a Russian woman who had disguised herself as a man and fought in the Napoleonic Wars in the early 1800s. She was the first known female officer in the Russian military. She had a difficult upbringing. Her mother hated her and at one point, had tossed her out of a moving carriage. She survived, but from that point on, her mother had no part in her care.

The story appealed to me not only as a veteran, but also as someone who was engaged in an ongoing battle with her own mother. It found me at the right time and stayed with me. For nearly 25 years, I’ve kept notebooks, collected research materials, and always planned to write a historical novel someday. The agent pitch I did at the conference brought clarity to me. I didn’t have the chops or the credentials for writing nonfiction history.

I went to the library last night to work on a writing plan to follow up with various agents. While I’m still working on a novel, I thought I’d take a look online to see if there were any other research materials available for a fictional work on Nadezhda Durova. I sat back, stunned. An American writer had written and published a historical novel about her just six months ago.

Dreams, delusions, disenchantment. I’m quite adept at spinning my own story. A story I’ve carried with me all these years – of failure and struggle and the possibility of writing my way to redemption – a story of rationalizations and justifications. Of never fully feeling the pain of the moment in which I am told or learn, once again, that I’m not good enough. All these years, I’ve been disappointed in myself, maybe even a little ashamed. But I had a good idea and maybe that would redeem me.

canstockphoto9159128bI am always reminded of that line by The Talking Heads “How did I get here?” The tale of my academic life is one of happenstance. When I joined the Army at 17, being clueless and uninformed, I wanted to be a French linguist. I had four years of high school French and being a linguist sounded more enjoyable than company clerk or truck driver. The demand for French linguists in military intelligence was, of course, not particularly high. They needed Russian linguists. Okay then.

After spending a year in intensive Russian language training at the Defense Language Institute, I moved onto more training, a permanent duty station in Germany and when my four years was up, I gladly left. The shortest way to a degree meant taking Russian, because I was able to transfer a lot of Army credits. So there I was, on track for a degree in Russian studies. As far from parlez-ing as I could be. Even further from writing.

I finished a four year degree in a subject that had never been part of my “when I grow up…” narrative. With no clue as to next steps, I applied to grad school. In the English department. The admissions rate was about 7% at the time. Applying to a program tied to the Iowa Writers’ Workshop was like spitting in the wind. I didn’t get in, but I did get accepted into the Russian Department.

It took me a year to realize that I hated my life, hated school, hated getting up at 3:30am to do a janitor job, go to classes, put in my hours as a research and translation intern, and then head to my job at Target.

The final straw was after I had to do a presentation on Russian morphology. In Russian. canstockphoto8727525The professor pulled me aside at the end of class and said that he was going to do me a favor by giving me a B-, instead of the C that is considered failure in grad school. I was going through complete misery just to scrape by on someone’s favor. And paying thousands of dollars for the honor. Time to quit academia and start working fulltime.

The years that followed were progressive administrative jobs, still carrying my notebooks and research materials from Iowa to Minnesota, into a home I share now with my daughter and husband. Since focusing on writing the last few years, the possibility of writing that historical novel seemed closer than ever. Until last night and seeing that Linda Lafferty had written The Girl Who Fought Napoleon.

I didn’t feel crushed or disappointed. In some ways, it was liberating. Carrying that novel idea was more than just a writing project. It was justification for all that education in Russian language and history. It was redemption for having failed. It was a reason for having wasted so much time and money doing something for which I had little passion. Even the kernel of complicated mother-daughter relationships has dissolved in the face of relative peace I’ve made with my own mother over the years.

canstockphoto10806366Last night, I dreamed of getting divorced from someone other than my husband. I woke up feeling sad and disappointed and bemused. The person didn’t have a face that I recognized, but this morning I surmised his name was Failure. 25 years is a long time to carry shame and I think I’m ready to put it down. There are other stories to tell.